Amsterdam Studies in the Dutch Golden Age
About the Book Series
Please note that this series is now published as Studies in Early Modernity in The Netherlands, edited by Feike Dietz, University of Amsterdam, the Netherlands
https://www.routledge.com/Studies-in-Early-Modernity-in-The-Netherlands/book-series/SIEMITN
Please contact Dorothea Schaefter, Publisher at Routledge ([email protected]) to submit a proposal or to find out more about the series.
This book series is published in collaboration with the Amsterdam Centre for the Study of the Golden Age, which aims to promote the history and culture of the Dutch Republic during the ‘long’ seventeenth century (c. 1560-1720).
The publications provide insight into the lively diversity and continuing relevance of the Dutch Golden Age. They offer original studies on a wide variety of topics, ranging from Rembrandt to Vondel, from Beeldenstorm (iconoclastic fury) to Ware Vrijheid (True Freedom) and from Batavia to New Amsterdam. Politics, religion, culture, economics, expansion and warfare all come together in the Centre’s interdisciplinary setting.
The series editors are international scholars specialised in seventeenth-century history, art and literature.
Editorial Board: Frans Blom, University of Amsterdam; Michiel van Groesen, Leiden University; Geert Janssen, University of Amsterdam; Elmer Kolfin, University of Amsterdam; Nelleke Moser, VU University Amsterdam; Emile Schrijver, University of Amsterdam; Thijs Weststeijn, Utrecht University
Art Market and Connoisseurship: A Closer Look at Paintings by Rembrandt, Rubens and Their Contemporaries
1st Edition
Edited
By Anna Tummers, Koenraad Jonckheere
October 28, 2008
The question whether or not seventeenth century painters such as Rembrandt and Rubens created the paintings which were later sold under their names, has caused many a heated debate. Much is still unknown about the ways in which paintings were produced, assessed, priced, and marketed. For example, ...
Rembrandt and the Female Nude
1st Edition
By Eric Jan Sluijter
December 01, 2006
Rembrandt’s extraordinary paintings of female nudes – Andromeda, Susanna, Diana and Her Nymphs, Danaë, Bathsheba – as well as his etchings of nude women, have fascinated many generations of art lovers and art historians, but they have also elicited vehement criticism. They were considered ...






