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Ashgate Historical Keyboard Series

About the Book Series

The Ashgate Historical Keyboard Series is designed to provide a natural home for studies in all aspects of keyboard music by musicologists, organologists and analysts as well as performers and instrument makers engaged in practice-led research. The series embraces all approaches to the study of the keyboard, including its music, historical and sociological contexts, sources (including theoretical texts and their translation), composers, instruments, performance practice and analysis. Historical should not be taken to imply ‘early’, and the series embraces research on all areas of keyboard studies from the distant past to historical reflections on contemporary keyboard music. Single author books, collections of essays, and editions of text-based historical sources, will be considered for inclusion in the series.

3 Series Titles


Studies on Authorship in Historical Keyboard Music

Studies on Authorship in Historical Keyboard Music

1st Edition

Edited By Andrew Woolley
May 06, 2025

Authorship is a pertinent issue for historical musicology and musicians more widely, and some controversies concerned with major figures have even reached wider consciousness. Scholars have clarified some of the issues at stake in recent decades, such as the places of borrowing and arranging in the...

The Creation of Beethoven's 35 Piano Sonatas

The Creation of Beethoven's 35 Piano Sonatas

1st Edition

By Barry Cooper
March 23, 2017

Beethoven’s piano sonatas are a cornerstone of the piano repertoire and favourites of both the concert hall and recording studio. The sonatas have been the subject of much scholarship, but no single study gives an adequate account of the processes by which these sonatas were composed and published....

Interpreting Historical Keyboard Music Sources, Contexts and Performance

Interpreting Historical Keyboard Music: Sources, Contexts and Performance

1st Edition

By Andrew Woolley, John Kitchen
November 28, 2016

Research in the field of keyboard studies, especially when intimately connected with issues of performance, is often concerned with the immediate working environments and practices of musicians of the past. An important pedagogical tool, the keyboard has served as the ’workbench’ of countless ...

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