View All Book Series

Routledge Advances in Film Studies

About the Book Series

This series is our home for innovative research in the field of film studies. It includes monographs and targeted edited collections that provide new insights into this important and evolving subject area.

 

To submit a proposal for this series, please contact:
Suzanne Richardson, Commissioning Editor for Media, Cultural and Communication Studies
[email protected]

65 Series Titles


The Politics of Age and Disability in Contemporary Spanish Film Plus Ultra Pluralism

The Politics of Age and Disability in Contemporary Spanish Film: Plus Ultra Pluralism

1st Edition

By Matthew J. Marr
January 29, 2016

The Politics of Age and Disability in Contemporary Spanish Film examines the onscreen construction of adolescent, elderly, and disabled subjects in Spanish cinema from 1992 to the present. Applying a dual lens of film analysis and theory drawn from the allied fields of youth, age, and disability ...

Distributing Silent Film Serials Local Practices, Changing Forms, Cultural Transformation

Distributing Silent Film Serials: Local Practices, Changing Forms, Cultural Transformation

1st Edition

By Rudmer Canjels
January 20, 2016

Tracing the international consumption, distribution, and cultural importance of silent film serials in the 1910s and 1920s, Canjels provides an exciting new understanding of the cultural dimension and the cultural transformation and circulation of media forms. Specifically, he demonstrates that the...

Transnational Asian Identities in Pan-Pacific Cinemas The Reel Asian Exchange

Transnational Asian Identities in Pan-Pacific Cinemas: The Reel Asian Exchange

1st Edition

Edited By Philippa Gates, Lisa Funnell
December 07, 2015

This collection examines the exchange of Asian identities taking place at the levels of both film production and film reception amongst pan-Pacific cinemas. The authors consider, on the one hand, texts that exhibit what Mette Hjort refers to as, "marked transnationality," and on the other, the ...

Cinema and Language Loss Displacement, Visuality and the Filmic Image

Cinema and Language Loss: Displacement, Visuality and the Filmic Image

1st Edition

By Tijana Mamula
July 16, 2015

Cinema and Language Loss provides the first sustained exploration of the relationship between linguistic displacement and visuality in the filmic realm, examining in depth both its formal expressions and theoretical implications. Combining insights from psychoanalysis, philosophy and film theory, ...

Cinema as Weather Stylistic Screens and Atmospheric Change

Cinema as Weather: Stylistic Screens and Atmospheric Change

1st Edition

By Kristi McKim
June 23, 2015

How do cinematic portrayals of the weather reflect and affect our experience of the world? While weatherly predictability and surprise can impact our daily experience, the history of cinema attests to the stylistic and narrative significance of snow, rain, wind, sunshine, clouds, and skies. Through...

The Politics of Loss and Trauma in Contemporary Israeli Cinema

The Politics of Loss and Trauma in Contemporary Israeli Cinema

1st Edition

By Raz Yosef
June 23, 2015

The last decade has marked the growing visibility and worldwide interest in Israeli cinema. Films such as Walk on Water, Or, My Treasure, Beaufort and Waltz with Bashir have been commercially and critically successful both in Europe and the United States and have won a number of prestigious ...

Theorizing Film Acting

Theorizing Film Acting

1st Edition

Edited By Aaron Taylor
June 23, 2015

This comprehensive collection provides theoretical accounts of the grounds and phenomenon of film acting. The volume features entries by some of the most prominent scholars on film acting who collectively represent the various theoretical traditions that constitute the discipline of film studies. ...

Cinema and Inter-American Relations Tracking Transnational Affect

Cinema and Inter-American Relations: Tracking Transnational Affect

1st Edition

By Adrián Pérez Melgosa
September 11, 2014

Cinema and Inter-American Relations studies the key role that commercial narrative films have played in the articulation of the political and cultural relationship between the United States and Latin America since the onset of the Good Neighbor policy (1933). Pérez Melgosa analyzes the evolution of...

Narratives of Gendered Dissent in South Asian Cinemas

Narratives of Gendered Dissent in South Asian Cinemas

1st Edition

By Alka Kurian
March 19, 2014

This book conducts a post-colonial, gendered investigation of women-centred South Asian films. In these films, the narrative becomes an act of political engagement and a site of feminist struggle: a map that weaves together multiple strands of subjectivity—gender, caste, race, class, religion, and ...

Korea’s Occupied Cinemas, 1893-1948 The Untold History of the Film Industry

Korea’s Occupied Cinemas, 1893-1948: The Untold History of the Film Industry

1st Edition

By Brian Yecies, Ae-Gyung Shim
November 08, 2013

Korea’s Occupied Cinemas, 1893-1948 compares and contrasts the development of cinema in Korea during the Japanese occupation (1910-1945) and US Army Military (1945-1948) periods within the larger context of cinemas in occupied territories. It differs from previous studies by drawing links between ...

Neoliberalism and Global Cinema Capital, Culture, and Marxist Critique

Neoliberalism and Global Cinema: Capital, Culture, and Marxist Critique

1st Edition

Edited By Jyotsna Kapur, Keith Wagner
June 07, 2013

In cinema studies today, rarely do we find a direct investigation into the culture of capitalism and how it has been refracted and fabricated in global cinema production under neoliberalism. However, the current economic crisis and the subsequent Wall Street bailout in 2008 have brought about a ...

Cinema, Memory, Modernity The Representation of Memory from the Art Film to Transnational Cinema

Cinema, Memory, Modernity: The Representation of Memory from the Art Film to Transnational Cinema

1st Edition

By Russell J.A. Kilbourn
March 16, 2012

Since its inception, cinema has evolved into not merely a ‘reflection’ but an indispensable index of human experience – especially our experience of time’s passage, of the present moment, and, most importantly perhaps, of the past, in both collective and individual terms. In this volume, Kilbourn ...

49-60 of 65
AJAX loader