Solo Motets from the Seventeenth Century Series

Rome

1st Edition

Edited By Anne Schnoebelen
March 01, 1989

The appearance of the solo voice in church music in 1602, in Lodovico da Viadana’s Cento concerti ecclesiastici, initiated a development that would soon parallel secular solo song. This series of Italian solo motets makes available for the first time many of these rich sources of ...